You’ve seen Mia’s side of the story when she wakes up in Sweet Filthy Boy after a Vegas
all-nighter with a sexy, fun, Frenchman. But for the first time ever, see what
transpired the morning after from Ansel’s point of view! Once you’ve finished,
check out our interview with the lovely authors, who spill on everything from
crafting the perfect book boyfriend to where we can find Ansel and Mia next.
(Please note: some language below is slightly NSFW)
Sweet Filthy
Morning After
Copyright © 2014 Christina Hobbs and Lauren Billings
When I finally come to, my whole body feels slow and sticky. Sleep burns
behind my eyelids and the effort it takes to roll from my stomach to my back
would be comical if I were watching it happen to someone else. Maybe also if
the ceiling weren’t spinning above me.
The hotel room is cool and dark, but it’s the artificial kind of
darkness where the sun is choked off by heavy, insulated drapes and it’s
impossible to tell what time of day it is. Even without looking around, I can
tell the bed I’m in is not only in someone else’s hotel room, but it’s massive.
At six foot two, I’ve spent the better part of my adult life wishing all beds
were twice as large. During Bike and Build, I shared a tent with three other
people, and slept on a cot where my feet hung over the edge every night for an
entire year. Here, my legs are fully extended and yet I can’t feel the
footboard, and there’s plenty of room on either side. I could probably stretch
and starfish all over the mattress if I wanted to. But with the ceiling still
blooming in and out of focus, the very idea of moving even an inch from this
spot makes me want to sew my mouth shut so I can never, ever, ever drink again.
An air conditioner kicks on somewhere nearby, and floods the space with
crisp, industrial air. There’s a hint of cigarette smoke, the unmistakable
trace of perfume. The odor of a lot
of alcohol. I wrinkle my nose; I’m fairly certain that last one is me. It feels
like someone is trying to pry my scalp from my skull, and when I manage to
reach down and pull something—a sock, I think—out from under my leg, I realize
that I’m also very, very naked.
A tiny cough sounds from somewhere to my left . . . so I’m also not alone.
It’s startling how fast something like that can sober a person up.
I bolt to my feet and regret it almost immediately. I groan, knees
buckling. I squeeze my eyes shut, bracing myself against the mattress until the
world rights itself again. The other side of the bed but has clearly been . . .
used. The sheets are pulled loose, the comforter missing, and another sound—a
soft murmuring—rises from the floor below.
I peer over the edge and the shape of a naked, sleeping woman swims in
front of me.
She’s curled on her side facing me and I’m immediately overwhelmed by
miles of creamy skin and legs and God,
the swell of what looks like the most perfect breast I’ve ever seen. I
straighten and a hand against my temple brings with it another wave of nausea.
The slight pressure is enough to make me want to throw up all over the tangled
white sheets and the girl who, somehow, has managed not to wake during any of
this.
The muscles in my abdomen, legs and shoulders are sore from exertion and
from the way every inch of my skin aches—especially in some rather delicate places—I know a lot of sex
happened last night. I feel like I ran a marathon.
I force myself to lean over the bed again and focus, to take in the
glossy dark hair and red lips, the long, graceful neck covered in a roadmap of
what I can only guess are hickeys I gave her. She shifts in her sleep, brings
an arm up and over her head and I freeze, seeing the simple glint of gold on
her finger.
I freeze, panicking. Did I fool around with a married woman? I run my
hand down my face, groaning at the horror of this and pause at the feel of the
cool metal on my cheek. My heart practically comes to a stop when I see a
matching gold band on my hand.
Oh.
Oh.
I can’t believe that for even a heartbeat I forgot what happened with
Mia.
#
The first thing I’d noticed was her mouth. Full and round, lips the
color of cherries and so red it was almost obscene. It sounds cliché that my
first reaction was to think of sex, but, Jesus—it’s all that came to mind,
looking at those lips. Sure, I had imagined them in the most predictable, visual
man-ways possible—around my cock, dragging along every other inch of my
body—but I also wanted to know if they tasted
like cherries, too.
There were three women settled into a booth on the other side of the
dance floor. The tall redhead was telling some story, clearly trying to shout
above the music and gesticulating wildly with her hands. The brunette next to
her was laughing like it was the funniest thing she’d ever seen, but the one
with the darkest hair and the mouth was just sitting there smiling, grinning
like watching her friend laugh was the highlight of her entire night. And that was infectious.
Je n’ai jamais vu
quelque chose d’aussi beau.
I realized I was staring and tried to look away. Several times. Finn and
Oliver were pointing out some girl dancing on a table across the bar, but I’d
tuned them out long ago, unable to hear a word they were saying anyway. Music
poured through the club with a beat that swallowed every conversation until the
only way to communicate was with hips and hands and sneaky or downright overt
glances. Which is exactly what I was doing, my eyes crossing the room to settle
on her over and over.
Up until this point she hadn’t noticed. I wordlessly accepted Oliver’s
offer of another drink and searched through the sea of undulating bodies,
debating whether I should cross the dance floor to get her name. She lifted her
chin just as the crowd moved, and her table came into view again.
Green eyes met mine and there wasn’t a chance in hell I was going to be
able to pull my feet from where they seemed to be bolted to the floor, let
alone remember my own name. I’d seen a hundred girls look at me like that from
across a room, but it had never felt like that, like the air had ignited in the
space between us and the breath had been knocked from my lungs. I didn’t blink,
didn’t breathe, didn’t hear a decibel of the pounding bass or the drunken
shouts of the people around me. I’d been reduced to butterflies in my stomach
and the growing weight of my own smile as it stretched across my face.
She didn’t look away, just continued to hold my gaze until her tongue
peeked out to lick her bottom lip and she mouthed the word “Hi.”
I was obliterated by a single syllable.
I returned it and couldn’t help but look away, downing the rest of my
drink in a single shot.
“You okay, mate?” Oliver shouted, concerned. Blood pumped through my
veins and my cheeks were hot. I felt a lot like I did at the start of a bike
ride, that quick burst of adrenaline as you look down the road and have no idea
what’s at the end.
“Je . . . j’ai vu . . .”
He laughed. “In English,
Ansel.”
I nodded numbly, tracing the rim of my empty glass and saying, “I saw .
. .” before turning back to her.
They were gone.
#
I’m twenty-eight and just woke in a hotel in Las Vegas
Ignoring the pain in my head, I collapse into a chair and watch Mia
sleep. I’d find my own behavior creepy in any other situation, but through the
haze of my hangover and not nearly enough sleep, I realize I’m still too drunk
for any real introspection . . . other than knowing I want her.
The room looks like it’s been hit by a tornado. A set of pink luggage is
propped up in the corner, the contents spilling out across the floor. A dark
duffel is tucked next to an armoire and an expensive but simple brown suitcase
rests next to it. There are shoes lined up beneath a window and I find myself wondering
exactly how many people are staying here. I count seventeen pairs, ranging from
brightly colored flats to heels I’m pretty sure would give even the most
well-seasoned stripper a moment of pause.
I remember first seeing Mia and her friends Saturday night at Haze. We
smiled, flirted quietly from across the club and then she was gone. I remember
seeing her in the hall, wanting her to come inside with me. I didn’t have a
plan, I didn’t know what came next in our story. I just knew if I didn’t see
her again, I was going to feel like I’d left a precious, golden thread loose
when I went back to France
But I found her again, got her talking, and in a way I can’t explain, I
feel like I made her mine. As it all comes back to me—in stuttering, jarring
flashes of words and lips and skin and laughter, the sounds of her moans and
little choked-off begs, the feel of her hands all over me and her eyes holding
onto mine as I moved over her—I know more fully that I’m hers.
That, at her insistence, I promised not to annul our marriage.
That she told me things last night I know she’d never told another soul.
That she starts school in the fall, that a horrific injury ruined her
dance career, that she’ll never love doing anything as much as she loved to
dance but it almost feels like she’s giving up on trying.
That there’s a strength beneath her vulnerability that carved out some
unknown, tender place inside me, and I have no desire to take this ring off my
finger.
And even though I’m only beginning to remember every word she told me
last night, I want her to wake up and say them to me now, again. I also realize
the chances of this are slim; I know her, I do. It’s more likely
Mia will wake up and remember what we’ve done, freak out, and I’ll never see
her again. Or worse, maybe she won’t remember at all. We’d both had a lot to
drink—it’s entirely possible she’ll have no recollection of what happened and
assume I took advantage of her in some way. The thought alone is enough make my
stomach drop into my feet.
I look over to see she’s definitely still asleep, and has rolled to her
side, tucking the comforter up under her chin. I scrub my hands over my face
and am acutely aware of how absolutely disgusting I am. I reek of booze and the
club and there’s something sticky that smells like cinnamon smeared across my
ribs. Taking stock of myself, I look down and realize a condom wrapper is stuck
to my arm. Classy, mon ami.
With the curtains still drawn the room is shadowed and cool. I stand and
walk to the bathroom mirror, wincing as I flip on the light. My eyes are puffy,
my hair standing up on one side and there’s a trail of red lipstick that begins
at my neck and moves downward, across my chest and lower. There is no way I can
talk to her like this. This will scare the shit out of her.
I find my pants thrown across a chair in the living room; my boxers are
draped over a red, pleated lamp in the corner of the bedroom. One shoe is
lodged between the desk and the wall and I have no idea where the other is.
Fuck, my clothes smell worse than I do. With another check on Mia, I decide to
dress and run to my room to shower. With any luck I can find the guys, clean
up, and get back before she’s even awake.
I’m almost out the door when it occurs to me to leave a note. Once I
leave the room I’ll have no way to get back in, so we’ll have to meet at the
restaurant in the casino downstairs. I know her first name and her last, where
she lives and practically every detail about her family, but I can’t quell the
panic that she’ll wake up, and flee. We’re married, I remind myself.
There’s no way she can just leave without talking to me first . . . I
think.
I check my back pockets and then my front, frowning when I find a piece
of paper already tucked there. I pull out the envelope, turn it over and run a
finger along the hastily scribbled words.
Ansel:
give to me in the morning. Don’t read. – Mia
I can remember her handing me this. We’d gone up to the room and she’d
excused herself to the bathroom, staying in there for at least fifteen minutes.
I didn’t know what sort of conclusion she’d come to while in there, but when
she stepped out, she had a newly resolved look about her. A confidence in the
line of her shoulders, the angle of her chin. She’d walked over to me, tucked
the envelope into my palm with her instructions. Then she attacked me.
I run my thumb along the seal, feel the weight of the paper and
everything hidden inside. With a deep breath, I tuck it back in my pocket.
A small notepad sits on the desk and I cross the room, willing my hand
to steady as I jot down a short note and place it on the pillow on the bed. I
straighten; taking a moment to look down at the floor where she lies, to study
each line of the face I grew to know so well last night.
I find myself noting how absolutely beautiful she is. She was a blur of
red lips and fidgety hands, fingers that constantly moved to swipe her hair
dark hair from her forehead. It was a practiced move, one I wasn’t even sure
she was aware of: a small shake of her head, the slightest touch to smooth her
bangs to the side. Her eyes were hazel and fringed with long lashes, the kind
you couldn’t help but be mesmerized by with every blink. Some might describe
Mia as pale, but milky is much more accurate. Her skin is clear and perfect,
almost porcelain-like, and I found myself wanting to pull her closer, push her
shirt off her shoulders and search for even a single freckle. She was several
inches shorter than me, with long, willowy limbs and a kind of grace you’d only
find in someone who’d spent their entire life telling stories with their body.
Carefully, I slide one arm beneath and around her knees and the other
beneath her shoulders, gently lifting her from the chaos on the floor. Her skin
is so soft, and despite the wildness of our night, she smells just like I
remember: a little like a flower, a little like a woman. Beneath it all, is the
smell of sex; it makes my blood stir, my lips warm at the thought of pressing a
kiss to her neck, just a single kiss. As I do it, I hold my breath, wanting her
to wake so I can see some recognition in her eyes, but also wanting her to
sleep until I can be more presentable.
The realization rocks me: I want the best shot I have with her. I don’t want her to see me
like this: filthy, sticky, hungover and raw. As slowly as I can, I place her in
the middle of the mattress, and move my note so it sits just beside her.
She doesn’t stir.
A proper look around shows me the room is truly a disaster. I find
myself trying to reposition the furniture, straighten the blankets and pillows
and right the end table that has somehow ended up on its side. There are some
rather impressive smudges on the mirror that hangs by the door, as if someone’s
naked body was pressed against it, a set of hand prints visible on either side
of their head. I hesitate for only a moment before lifting my arm, letting my
palm hover over the mark. It’s the same size. I spend more than a few minutes
trying to connect the pieces, remembering the way I’d lifted her, pressed her
against the wall as I slid into her, blind to everything but her soft sounds
and needy words.
My finger traces idly over the gold band around my finger and I draw in
a ragged breath; we really need to talk. But first, a shower, some water and,
if there’s a God in heaven, some ibuprofen.
With one last look over my shoulder I open the door, and let it close
softly behind me.
#
One hot shower and two Motrin later, I’m feeling as close to human as I
suspect I’ll get today. I stare at my warped reflection in the elevator doors.
The brass doors are smudged around the edges where the two pieces meet in the
center, the finish dulled by hundreds of tiny grubby hands from children who I
know feel the need to touch everything. I resist the urge to buff them out with
my sleeve as my mother’s words ring in my ears, just like they always have: Don’t touch things other people have to clean up.
This is one of Oliver’s favorite things to tease me about. My constant
need to immediately wipe down any surface I’ve left a fingerprint on, a
watermark. The fact that I always pick up my flat before the maid comes. My
tendency to tidy when I get home, even after working fourteen hours. My mother
earned a living as a housekeeper when she first arrived in France
The elevator stops on the sixteenth floor and the only other passenger
steps out. When the doors close again I watch the floors tick down on the dial
overhead.
According to their text, Oliver and Finn are in the hotel restaurant
having breakfast and are apparently as fucked up this morning as I am.
My hand moves to the back pocket of my jeans, finding the note I placed
there after I dressed. There’s a part of me that’s certain I could read it and
Mia would never know, but there’s a bigger part that wants to earn her trust.
I know the way she was last night, I remember the things she said—the
things we did. Will she? We’re married,
it seems there are only two roads we can take from here: stay together, or
break apart. It’s actually a bit disorienting how sour the second thought
feels.
The lift stops and I step out into the casino and see the guys
immediately. They meet my eyes and greet me with a slow lift of their chin.
Neither of them looks any better off than I do. I take the seat across from
Finn and directly across from the elevators, intentionally. If Mia wakes and
comes to find me, I want it to be easy. I don’t want any fear or hesitation to
get in the way.
Finn has his head in his hands, his thumbs moving in slow circles over
his temples. Oliver is just looking down at his plate of bacon and eggs, as if
staring at them long enough will make them disappear. There are two gold bands
on the table between us.
I reach out, pick up one of them. “What a night, hmm?”
Finn straightens in his chair, takes a deep breath. “Looks that way.”
I nod and we sit in silence for a moment. “You lot remember anything?”
Oliver asks.
“A lot of drinking,” I say. Nearly an hour away from waking up confused,
and now I remember it all. Every word.
Every touch. Every one of Mia’s little fidgets, smiles, and quiet, aching
sounds. “And then you four split off while Mia and I talked. I think around one
or two we told you we were getting married and you all decided, what the hell,
you’d come along, too.”
“I remember a lot of drinking, and a lot more fucking,” Finn jokes and
we all laugh and then groan in unison. “I talked to Harlow
this morning,” he continues. “We’re going to meet in the lobby as soon as
everyone’s up. Undo all this.”
Oliver nods in agreement rather forcefully. I sit there quietly because
again, the idea of ending things with Mia sounds worse each time I imagine it.
They continue to talk between themselves while I completely zone out, lost in
my thoughts.
“What if,” I start, slowly spinning the drink in front of me, “what if I
didn’t?”
As predicted, this snaps them out of their zombie state and each of them
blinks up at me. They consider me for a moment, the table silent as people
continue to laugh and talk all around us, before Finn clears his throat.
But it’s Oliver who speaks first. “Didn’t what?”
A bead of condensation slips along the glass. I watch it pool on the
Formica top before I meet their eyes again. “Get an annulment.”
When Oliver shakes his head and laughs, I know exactly where this
conversation is going. He sits back in the booth and tosses his napkin to the
table. “Here we go.”
“What?” I ask.
“You always do this, Ansel,” Finn says.
“I always get married in Vegas and decide not to have it annulled?”
“No,” Finn says. “You have this way of getting attached to every person
you meet. I’m not saying it’s a bad thing but, fuck, this is not the time to be
a romantic. You’re married. To someone you just met. You go home to France
Bordel de merde!
I sigh, sitting back and pushing the hair off my forehead. It’s the same
thing I’ve heard my entire life, almost the exact conversation my mother had
with me when my last relationship ended. And it’s not that they’re entirely off
the mark, but my affections sound fleeting and superficial when put that way.
It’s never been my intent.
Putain. Je suis sur le
point de rendre les choses mille fois plus compliquées.
“What did you say?” Finn asks, leaning forward.
I didn’t realize I’d spoken aloud. “Nothing. Just that I know I’m going
to make things a million times more complicated but . . .”
Mia and I didn’t meet so much as collide. At least, that’s how it feels
when I remember it, the instant shift in the air, the way she changed my life
in the sum of twelve hours.
When I don’t answer right away, Finn leans forward, resting his elbows
on the table. “So what are you saying, you have feelings for her? It was just
sex, Ans—”
“It’s not,” I say. I’m not in love with Mia, we’ve only just met and I’m
not foolish enough to think that something that strong could happen overnight.
But there’s a connection between us, something I’m not ready to give up yet. “I
. . . like her.”
“Ansel,” Finn says, exasperated. He tears into a packet of sugar,
dumping it into his coffee before adding another. “You’ve got to stop thinking
with your dick, man. It’s gotten you in enough trou—”
I hold up my hand, cutting him off when I see the elevator doors open,
and Mia step out. They both turn and follow my gaze, groaning when they see
her.
“Just don’t be an idiot,” Finn says, before pushing back his chair.
She’s had a shower and changed, and she looks just as beautiful to me as
she did the first time I saw her. Her dark hair is cut at an angle just at her
chin, it’s glossy and straight, and for a moment I’m reminded of what it felt
like slipping through my fingers, bunched in my fist. The way the strands
brushed along the skin of my stomach, and my thighs. She’s wearing a gray top,
the neck loose so that it hangs off her right shoulder. The sleeves are too
long and I feel myself smile when she reaches up, smoothes the hair off her
face.
She hasn’t seen us yet, and continues to look out over the casino. I’m
tired and nauseous, more nervous than I can ever remember being. She’s tired,
dark circles smudge the skin beneath her eyes and she looks pale. Definitely
hung over. Her face is free of makeup, lips bitten and red and even more
perfect than I remember.
Our eyes meet and my heart stops.
Aucun commentaire:
Enregistrer un commentaire